Category: FICTION IN PHASE SPACE

  • Moorcock

    Moorcock’s multiverse is the first one that isn’t built like a strip mall of IP franchises. Before Marvel turned “infinite worlds” into an excuse to recycle plotlines forever, Moorcock treated parallel realities as a way to ask better questions. His multiverse isn’t rent-seeking; it’s curiosity-seeking. It doesn’t exist to justify more product—it exists to make…

  • Motivation

    Motivation in the realist novel tends to be, in Freudian language, “overdetermined”, that is to say, any given action is the product of several drives or conflicts derived from more than one level of the personality; whereas in folk-tale a single cause suffices

  • Objective, Subjective and Asubjective

    We crave order, a map of the buzzing confusion we call existence. So we dream up these categories: objective, subjective, asubjective. Objective? Pure, unadulterated fact, cold and hard like a chrome thermometer. But is this “temperature” just another code word slapped on the writhing mess of the real? Sure, the reading might be objective, a…

  • Phillip K Dick

    Ted Chiang makes a tidy distinction: fantasy is when the universe gives a damn—about you, your dreams, your bloodline. It breaks the rules just for you. Science fiction, on the other hand, doesn’t care. It’s rule-bound, mechanical, indifferent. Same physics for everyone. Philip K. Dick, though—he screws with the boundary. He takes some schlub in…

  • Polostan

    I just finished reading Polostan by Neil Stephenson and I have the same feeling I always have with him. He is a great neo-Victorian. So there’s always the veneer of sci-fi and technology but it’s all seems to me like build on a 19th century Victorian novel or early 20th century Edwardian that has just…

  • Revisiting Vietnam

    Research Grant Proposal: Revisiting Vietnam: Exploring the Parapsychological Labyrinth of a Humphrey Triumph Over Nixon, Impeded by Kaleidoscopic Counterculture and Fellow Travelers in the Fog Authored by: Mortimer M. Muddle Sponsored by: Abstract: The specter of Vietnam looms large in the American psyche. This proposal seeks to revisit that pivotal moment in history, venturing into the…

  • RONALD KNOX’S TEN COMMANDMENTS OF DETECTIVE FICTION

    broadcaster, Charles Williams, Chinaman, crime, criminal, detective fiction, essayist, evil mastermind, John Buchan, mystery, priest, Ronald Knox, Stephen King, theologian, translator, Uncategorized, Watson Far out, man. So, this dude Ronald Knox, a priest with a taste for puzzles it seems, lays down these ten commandments for detective fiction back in the twenties. Like some paranoid manifesto crossed with a rulebook for a particularly baroque board game. We’re talking full-on labyrinthine here,…

  • Stuck Inside a Bunker with the Tariff Blues Again

    The stairs creaked beneath my boots as I descended into the bunker, a subterranean shrine to American paranoia. The air was thick with the scent of lard, motor oil, and the unmistakable tang of off-brand cola gone slightly flat. Somewhere in the dim recesses, a radio squawked out a tinny voice—half preacher, half doomsday salesman—preaching…

  • The Cagliostro Protocol

    Three data points from dead media. Cagliostro (1949), Orson Welles cranking out noir-gothic product for Italian producers from Alexandre Dumas. Dracula (1897), Bram Stoker manufacturing Victorian anxiety porn. The Magician (1908), Somerset Maugham debugging English imperial neurosis. Different decades, same protocol stack. The pattern: charismatic outsider penetrates failing system, exposes its vulnerabilities, triggers cascade failure,…

  • The Drift

    Long ago, on the shores of a storm-tossed sea, there lived two brothers: Li, the elder, steady as ancient stone, and Wei, the younger, restless as the gulls. Their father, Lao, a weathered fisherman, had taught them to read the tides, but the brothers’ hearts sailed different currents. Li anchored his small boat each dawn…