the Nam-šub of Enki

The Bronze Age Collapse of 1200 BC remains a major mystery in human history. Many theories have been proposed to explain this event, which led to the collapse of several major civilizations across the Mediterranean and Near East. One intriguing possibility is that this collapse occurred because the mental architecture of the time was based on an imaginary framework that could not sustain itself.

If we imagine a scenario in which the priests of Marduk, a powerful Mesopotamian deity, were perpetrating a fraud on their followers, it becomes easy to see how this imaginary framework could have contributed to the collapse. If the people of the time were going through the motions of religious worship and other cultural practices, knowing that they were based on a fraudulent foundation, it is easy to see how this could lead to a breakdown of social cohesion and trust.

As the truth of the fraud perpetrated by the priests of Marduk became more widely known, it would have led to a loss of faith in the institutions and structures that had been built on this foundation. People would have become disillusioned with the ruling classes and with each other, leading to a breakdown in social order.

The collapse of the Bronze Age civilizations could then be seen as a result of this loss of faith and breakdown in social order. The people of the time may have simply lost the will to continue living under these conditions, leading to a collapse of the complex societies that had been built over centuries.

If this theory is correct, it raises important questions about the role of imaginary frameworks in human society. We often take for granted the cultural and social structures that surround us, assuming that they are based on a solid foundation of truth and reason. However, if these frameworks are based on imaginary or fraudulent foundations, they may not be sustainable over the long term.

As we look at the world today, we can see many examples of imaginary frameworks that are still sustained by belief rather than evidence or reason. From political ideologies to religious dogmas, these frameworks can have a powerful influence on our society and our individual lives. The collapse of the Bronze Age civilizations reminds us that we must be vigilant in questioning the foundations of these frameworks, and in ensuring that they are based on truth and reason rather than on faith or deception.

In conclusion, the collapse of the Bronze Age civilizations may have been caused by an imaginary framework sustained by the fraudulent practices of the priests of Marduk. This raises important questions about the role of imaginary frameworks in human society, and reminds us of the need to question the foundations of the cultural and social structures that surround us today. By doing so, we can help to ensure that our society is built on a solid foundation of truth and reason, rather than on faith or deception.

This concept is not too different from the idea of a corporation or a country. Both are based on an aggregate narrative that shapes our beliefs and influences our actions. We conduct our lives around the ideas of America, capitalism, or other concepts that are part of our bicameral mind. But what if we were to realize that these ideas are not based on reality, and that they are sustaining an imaginary framework?

The implications of this idea are vast and complex. If we were to accept that our mental architecture is based on an imaginary framework, we would need to question everything we believe in. We would need to create new narratives that are based on reality and that can sustain our societies without relying on myths and lies.

But this is easier said than done. Our mental architecture is deeply ingrained in our minds and our societies. It is difficult to break free from the narratives that have been passed down through generations. We need to be willing to let go of the old ways and embrace new ideas and concepts that are based on truth and authenticity.

95% UFO

Science? A meat grinder, man. Feeds in observations, spits out explanations neat and tidy. No room for the hairy margins,the psychic static that whispers of things beyond the goddamn control panel.  UFOs? Aliens waltzing in with their flying bathtubs? Not part of the equation, see. Too messy, too damn inconvenient. Belongs in the spook show, with trenchcoats and fedoras instead of lab coats.

They show up on radar, yeah, but that’s just the surface noise. The real action’s happening on the psychic switchboard, scrambled signals from beyond the meat curtain. That’s where the spooks come in, the boys who play chess with blindfolds, gotta sniff out truth through the bullshit fog.

Science? Deals in percentages, a nice clean 95% and they’re high-fivin’ each other in the lab. In the spook biz, 95% is chum in the water. Keeps the marks distracted while the real game’s played out of sight. 

Intelligence, that’s a different animal. Here, truth ain’t a neatly packaged lab report. It’s a whisper in a Tangier alley, a flickering image on a grainy photograph. You, the spook, you wade through the muck, the disinformation, the layers of bullshit thicker than a junkie’s arm. Ninety-five percent? That’s chump change, Burroughs. The easy hustle. The real game’s in that last five, the goddamn heart of the maze. Like Hitler, fat and smug with his Normandy intel. Wrong five percent, see? Led him straight to the goddamn abattoir.

Who’s running the circus, that’s the question. Entities with a taste for the absurd, twisting reality like a funhouse mirror? They’ve built a labyrinth of dead ends and misinformation, a Droste effect of lies reflecting on lies. Data? Science’s crutch. Here, you gotta follow the hunches, the whispers on the psychic switchboard. Logic gets you lost in the hall of mirrors. You gotta feel your way through the static, like a junkie chasing the dragon’s tail. Maybe you never reach the truth, just deeper and deeper into the rabbit hole. But hey, at least the ride’

These UFO jokers, if they’re real, they’re playing a long con. A hall of mirrors with a million exits, each one leading deeper into the rabbit hole. Data? Forget data. That’s the bait, the shiny trinket to distract the rubes. You gotta follow the vibes, man, the unspoken dread that crawls up your spine when you see one of those goddamn ships. That’s where the truth is hiding, not in some lab report with charts and graphs. It’s a gut feeling, a cold sweat in the dead of night. That’s where the real hunt begins.

The Wellness Economy

https://t.co/1llyur173R

The wellness industry has been hailed as a force for good in the modern world, offering people the opportunity to improve their physical and mental health through a range of products and services. However, the second act of the wellness economy has revealed that much of what was presented in Act I as a positive force for change was actually just another manifestation of overamped neoliberalism, with many individuals using the industry as a means to climb the social ladder rather than to promote genuine wellness.

In Act I, the wellness industry was presented as a movement that sought to promote holistic health and wellbeing, with a focus on practices such as yoga, meditation, and natural remedies. It was marketed as a way for people to take control of their own health and happiness, and as a response to the stresses and strains of modern life.

However, as the industry has grown and become more mainstream, it has become clear that many of those who embraced it were more interested in using it as a means to advance their own social and economic status. They saw the wellness industry as a way to gain entry into the world of the 1%, a way to network and meet influential people, and a way to signal their own status and wealth to others.

This has led to a situation where much of what is presented as wellness is actually just a form of consumerism, with individuals buying products and services that promise to improve their health and wellbeing but which are often ineffective or even harmful. The wellness industry has become a playground for the rich and privileged, with many of its practitioners more interested in promoting their own brand than in genuinely helping people to improve their lives.

Furthermore, there is a growing sense that many of those who embraced the wellness industry in Act I were simply confused about what it actually represented. They saw it as a way to promote individualism and self-reliance, without fully understanding the underlying social and political factors that contribute to poor health and wellbeing.

In some cases, this confusion has led to the promotion of ideas that are actually harmful, such as the belief that overpopulation is the root cause of many of the world’s problems. This Malthusian approach to wellness is at odds with the Deleuzian vision of the world, which emphasizes the interconnectedness of all things and the need for collective action to address societal challenges.

In conclusion, the Act II of the wellness economy has revealed that much of what was presented in Act I as a positive force for change was actually just another form of neoliberalism, with individuals using the industry to advance their own social and economic status rather than to promote genuine wellness. As we move forward, it is important to recognize these underlying dynamics and to work towards a more holistic and collective vision of health and wellbeing that is rooted in social justice and community empowerment.

Tendencies, Not Time

Time Does Not Exist but rather Shows Tendencies to Exist’

The concept of time has been a subject of debate among philosophers and scientists for centuries. While it is generally understood that time is a fundamental aspect of our existence, its subjective nature has led to many different interpretations of what time truly represents. One particularly interesting idea is that subjective time does not actually exist, but rather shows tendencies to exist. Additionally, events do not occur with certainty at definite times and in definite ways, but rather show tendencies to occur.

The notion that subjective time does not exist is rooted in the idea that our experience of time is a product of our conscious minds. In other words, time is not a physical entity that can be measured or observed; it is a subjective experience that is influenced by our perception of reality. This idea is supported by various studies that have shown that time perception is highly variable and can be influenced by factors such as attention, emotion, and memory.

One interesting example of this phenomenon is the way in which time seems to slow down during periods of intense focus or danger. This is commonly referred to as “time dilation,” and it suggests that our subjective experience of time can be influenced by our level of arousal and the amount of information we are processing at any given moment. This supports the idea that subjective time is not a fixed or objective reality, but rather a tendency that emerges from our conscious experience of the world.

Similarly, the idea that events do not occur with certainty at definite times and in definite ways, but rather show tendencies to occur, suggests that our experience of time is not an objective reality. This idea is rooted in the concept of probability, which suggests that events are not predetermined, but rather subject to chance and uncertainty.

This idea is particularly relevant in the field of quantum mechanics, where the concept of “wave function collapse” suggests that the outcome of any given event is not certain until it is actually observed. This supports the idea that events do not occur with certainty at definite times and in definite ways, but rather show tendencies to occur based on the probabilities associated with any given outcome.

In conclusion, the idea that subjective time does not exist, but rather shows tendencies to exist, and that events do not occur with certainty at definite times and in definite ways, but rather show tendencies to occur, challenges our conventional understanding of time as a fixed and objective reality. Instead, it suggests that our experience of time is highly subjective and influenced by various factors such as attention, emotion, and memory, and that events are subject to chance and uncertainty rather than being predetermined. While this concept may seem challenging to grasp, it opens up new avenues of inquiry and understanding regarding the nature of time and our place in the universe.

Lock-in Software Turns Thoughts into Facts

The world we live in today is increasingly digital, with technology infiltrating every aspect of our lives. From social interactions to work, education, and entertainment, digital technology has transformed the way we live, work, and play. In the realm of music, the advent of MIDI (Musical Instrument Digital Interface) technology in the 1980s marked a significant turning point. Suddenly, a musical note was no longer just an idea, but a rigid, mandatory structure that you couldn’t avoid in the aspects of life that had gone digital.

While MIDI technology has undoubtedly revolutionized the music industry, it has also led to a phenomenon known as lock-in, which has several negative consequences. The process of lock-in is like a wave gradually washing over the rulebook of life, culling the ambiguities of flexible thoughts as more and more thought structures are solidified into effectively permanent reality. In this essay, we will examine the downsides of lock-in software with real-world examples.

Firstly, lock-in software limits consumer choice. Once a user has committed to a particular software or hardware system, switching to another system becomes increasingly difficult. This is because software and hardware are designed to be compatible with each other, and switching to a different system often requires significant time and effort to migrate data and learn a new system. For example, Apple’s iOS operating system is designed to work only with Apple’s hardware, making it challenging for users to switch to other operating systems.

Secondly, lock-in software can stifle innovation. When a software or hardware system becomes dominant, competitors often find it challenging to introduce new ideas or technologies. This is because the dominant system has established its own set of standards and protocols, making it difficult for new technologies to gain traction. As a result, the dominant system may continue to dominate the market even if better alternatives exist. For example, Microsoft Windows has been the dominant operating system for personal computers for decades, making it difficult for alternative operating systems such as Linux to gain market share.

Thirdly, lock-in software can lead to vendor lock-in, where a user becomes dependent on a particular vendor for software and hardware products. This can lead to high switching costs and limited interoperability with other vendors. For example, Amazon’s Kindle e-reader is designed to work only with Amazon’s e-bookstore, making it difficult for users to switch to other e-book platforms.

Fourthly, lock-in software can lead to a lack of privacy and security. When a user becomes dependent on a particular software or hardware system, they often have to surrender their personal data and information to the vendor. This can lead to privacy and security concerns, as the vendor may not have adequate safeguards in place to protect the user’s data. For example, Facebook’s dominance in the social media market has led to concerns about user privacy and data security.

Fifthly, lock-in software can create a digital divide, where users who cannot afford to purchase the latest hardware or software are left behind. This can perpetuate socioeconomic inequalities and limit access to essential services such as healthcare and education. For example, the high cost of Apple’s hardware and software products can create a digital divide between affluent and low-income users.

Sixthly, lock-in software can limit user creativity and innovation. When a user becomes dependent on a particular software or hardware system, they often have to conform to the system’s limitations and constraints. This can stifle creativity and innovation and limit the user’s ability to explore new ideas and technologies. For example, Adobe’s dominance in the graphic design software market has led to concerns about the lack of innovation and new ideas in the industry.

Seventhly, lock-in software can lead to a lack of competition and monopolies. When a particular software or hardware system becomes dominant, it can lead to a lack of competition in the

A copy of a copy of a copy

It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 60s Tv show or even as a comic book. You can’t always get what you need but if you try You get what you want. Anxiety in place of fulfilment. An addictive cycle of craving and malaise. No sooner has one experience begun that buyers remorse creeps in.

The quote “a copy of a copy of a copy” refers to a situation where a document or object has been replicated multiple times, with each subsequent version being based on the previous one, resulting in a loss of fidelity or accuracy.

We are the new serfs to the IP Kings in this iteration. Trust the crowd and the big n that removes the risks of creativity. We can only focus on one thing at the time and that there is a contest every quarter of a second as to which object gets our attention. Enter the franchise purposely designed to be hyper rewarding in such a way that they surpass the reward properties of foreign movies or books. Fast food provides a v strong reward with each swallow.

In this context, each copy is a reproduction of the previous copy, which means that the original may have been lost or altered in some way. As each new copy is made, errors or variations may be introduced, resulting in a product that is increasingly different from the original.

Franchises are designed to provide a large number of generally small rewards/Easter eggs driven by neuromodulators such as dopamine and serotonin. Rinse and repeat our subconscious associates reboots and remakes with rewards. So whenever we see hear or feel or think about a remake our subconscious remembers the potential for rewards so it is much more likely to be selected for attention.

This concept is often used to describe the degradation of information or quality over time, particularly when it comes to analog media like photographs, cassette tapes, or VHS tapes. Each subsequent copy of the original becomes a little less clear, a little less vibrant, and a little less accurate than the one before it.

As a result we’re being programmed to expect a very unnatural state of time compared to the one our ancestors had. The problem is that consumer demand remains static. There’s only so much streaming or multiplex you can enjoy and as saturation increases the big results are going to a proportionally smaller number. Only one product can mantain value as everything else is devalued. Advertising.

The statement “only one product can maintain value as everything else is devalued” refers to the idea that in a market economy where goods and services are constantly being produced and consumed, the value of most products tends to decrease over time. However, advertising is the one product that can maintain its value because it has the ability to shape consumer behavior and create demand for products.

In other words, while physical products may lose value as they become outdated or are replaced by newer models, advertising has the power to influence consumer perception and convince them that a product is still valuable and relevant.

For example, consider a smartphone that is released today. Over time, as newer and more advanced models are released, the value of this phone will decrease as it becomes outdated. However, if the company invests in advertising that highlights the phone’s unique features and benefits, it may be able to maintain or even increase its value in the eyes of consumers.

Similarly, think of a fast-food chain that introduces a new menu item. Initially, the item may be popular and in demand, but over time, as customers try it and move on to other options, the value of the item may decrease. However, through effective advertising campaigns that emphasize the item’s taste, quality, and affordability, the chain can maintain interest and demand for the product.

In essence, advertising has the power to create perceived value in the eyes of consumers, even when the intrinsic value of the product itself may be decreasing. As a result, advertising can be a valuable and effective tool for businesses looking to maintain or increase the value of their products over time.

Advertising takes its place at the center of the universe of a society that has been made legible and if money flows to advertising it does not flow to artists, musicians, writers. It flows to mechanisms of manipulation. If content is worthless then people are worthless too. A diffracted state which has universal suffrage and wide extension of the jury franchise, must qualify the people by education to rightly exercise the great powers with which they are invested

In a broader sense, the quote can also be interpreted as a metaphor for the way that ideas or cultural concepts can be passed down through generations, with each new iteration being influenced by the previous one. Over time, the original idea may become distorted or lost altogether, as it is reshaped to fit new cultural contexts or perspectives.

The Acceleration of Content

In today’s fast-paced world, where technology and social media dominate our daily lives, the importance of human attention has become increasingly evident. As attention becomes the most important input in the production of goods and services, it stands to reason that the pace of content, such as TV shows and films, must be accelerated in order to capture and maintain people’s attention.

In the past, content creators could rely on the fact that audiences had fewer distractions and a longer attention span. However, today’s consumers are constantly bombarded with information and have a shorter attention span due to the overwhelming amount of content available. Therefore, in order to succeed in capturing people’s attention, content creators must create content that is fast-paced and engaging.

One way in which content creators are accelerating the pace of content is by using rapid cuts and dynamic camera movements in films and TV shows. These techniques help to create a sense of urgency and excitement, keeping viewers engaged and invested in the story. In addition, the use of music and sound effects can also contribute to a sense of urgency and help to keep viewers engaged.

Another way in which content creators are accelerating the pace of content is by utilizing shorter episode lengths and faster-paced storytelling. Many TV shows now have episodes that are only 30 minutes or less, which allows for more frequent releases and makes it easier for viewers to keep up with the story. Additionally, many shows now have more complex and faster-paced storylines, which helps to keep viewers engaged and invested in the story.

However, while the acceleration of content may be necessary in order to capture people’s attention, it can also have negative consequences. One of the main issues with accelerated content is that it can lead to a lack of depth and substance. When content is created solely to capture people’s attention, it can become shallow and lacking in meaning, leading to a culture that values entertainment over substance.

Furthermore, the acceleration of content can also contribute to a culture of instant gratification. When people are constantly bombarded with fast-paced content, they can become impatient and may struggle to focus on more slow-paced or complex material. This can have negative consequences for society as a whole, as it can lead to a lack of critical thinking and an inability to engage with more complex ideas and concepts.

In conclusion, the acceleration of content is a necessary response to the increasing importance of human attention in the production of goods and services. However, while fast-paced content can be effective in capturing people’s attention, it is important to be mindful of the potential negative consequences. By striving to maintain a balance between entertainment and substance, content creators can help to ensure that the acceleration of content does not come at the expense of depth and meaning.